He was the most important printmaker north of the Alps before Albrecht Drer, a younger artist who collected his work. You can use it however you want. Martin Schongauer | The Tribulations of St. Anthony | The Metropolitan Date Created: c. 1470/1475. "[2] This chapter emphasizes the difference between good and bad spirits then goes on to talk about the devil and how many battles one must pass through the air in order to achieve celestial ascent. [57] This is a German subject, associated in particular with Cologne and Stephan Lochner, but Schongauer gives it a treatment very much in the Netherlandish style. Holding Division: Engraving; sheet: 29.9 x 22.1 cm (11 3/4 x 8 11/16 in.). The earliest work to depict Saint Anthony being assaulted by demons is a wall painting in the atrium of Santa Maria Antiqua of the 10th century. [1] In it, grotesque demons swarm around Saint Anthony the Great, bursting with movement and energy as the saint calmly resists their temptations or blows. [29] In Germany Drer, whose prints became known over the decade following, was seen as the next leader of the tradition Schongauer had dominated for twenty years. . Temptation of St Anthony Home / Museum / Search ARC Museum / Martin Schongauer (1430-1491) View. [31] The painted portrait of Schongauer, with his coat of arms at top left, is unusual for a fifteenth-century artist, but the panel now in Munich appears to be made well after his death, and is perhaps a copy of a drawing or painting made at the date on the painting, 1483. To help improve this record, please email . Join the one in a thousand users that support us financiallyif our library is useful to you, please pitch in. German, 1450-1491, Sheet (trimmed within plate mark): 12 1/4 9 1/8 inches (31.1 23.2 cm). Schongauer depicted these imagined creatures in a remarkably convincing way. Free art print of The Temptation of St. Anthony by Martin Schongauer St. Anthony is tormented by seven hell-born . Hollstein vol. [3] It is hypothesized that Schongauer used a stamp in his first ten engravings, which he later lost and began hand writing his monogram thereafter. [20], He returned to Colmar and had established a workshop by 1471, when payments were made for an altarpiece for the Dominican church there, which is now in the museum and regarded as a workshop production. In 1465, he matriculated at the University of Leipzig. Martin Schongauer - The temptation of Saint Anthony. The Silver Jubilee Exhibition. Public Domain, The Temptation of St. Anthony, Hieronymus Bosch Aleteia - published on 10/23/15 Saint Anthony (3rd-4th century) was one of the first monks to retire to the desert to devote . https://piction.clevelandart.org/cma/ump.di?e=37D1B8513AF61B59C855671275E01BF1D7BD7861C86FAAEC8E42A4C25A2D5B0A&s=24247294&se=1161827631&v=3&f=1923.227_o2.jpg. Martin Schongauer (German, c.14501491). Martin Schongauer, The Temptation of St Anthony, a copperplate His style shows no trace of Italian influence, but a very clear and organised Gothic, which draws from both German and Early Netherlandish painting. At a later stage in Saint Anthonys life in the desert, the devil waged battle again, sending phantoms to attack him. The date was actually added decades later by, Shestack, biography; Hutchison, 6 and note 6. Schongauer was born about 145053 in Colmar,[9] Alsace, the third of four or five sons of Caspar Schongauer,[10] a goldsmith and patrician from Augsburg who moved to Colmar about 1440; Caspar became a master of the goldsmith's guild in 1445, which probably required a residence of five years. Martin Schongauer. Creator: Martin Schongauer. Caprese, Italy 1475 Artist's death Rome, Italy 1564 Culture Italian Date 1487 Period 15th century Medium Tempera on panel Classification Painting Dimensions 18 1/2 x 13 3/4 in. Temptation of Saint Anthony | Detroit Institute of Arts Museum The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. no. [23] In some cases a terminus ante quem is provided by copies in various media that can be dated. 22. [34] The rarest survives in three impressions,[35] and unlike most other printmakers of the century, examples have probably survived of all the engravings he made. The Temptation of St. Anthony is an episode in the life of the Christian monk Anthony the Great . The literary source from which this image derives is debated. Detroit, MI 48202 The Tribulations of St. Anthony. The prints can be found for example in the collection of the Metropolitan Museum of Art, Art Institute of Chicago,[11] Rhode Island School of Design Museum. The work of art itself is in the public domain for the following reason: Public domainPublic domainfalsefalse This item may not be in the public domain under the laws of other countries. Prints of Saint Anthony like this one were believed to function as protective tools against ergotism (also called St. Anthony's Fire), a disease causing painful putrefaction of the limbs cased by fungus found on rye. Dear Patron: Please don't scroll past this. Whether the painting is actually by Michelangelo is disputed. The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars. Schongauers engraving depicts the old mans impassiveness in the face of an array of brutal and wild beasts. [21] His Madonna in the Rose Garden, long displayed in the church in Colmar it was made for, but moved to the Dominican church nearby in 1973,[22] is dated 1473 (his only dated painting). ); Sheet: 32.4 23.6 cm (12 13/16 9 5/16 in.). Here he gazes serenely at the viewer as frenzied demons grab his limbs, clothes, and hair, and pound him with sticks. The publication is lavishly illustrated with more than 500 images. Provenance: (Charles Sessler, Philadelphia); purchased by Lessing J. Rosenwald [1891-1979], 1929; gift to NGA, 1943. Saint Anthony Tormented by Demons (Martin Schongauer) - Wikimedia Artiste Martin Schongauer (Colmar, around 1445 Breisach, 1491), Statut Bought with the support of Regional Acquisition Fund for Museums (tat / Conseil rgional dAlsace), 1993. 1470 On view at The Met Fifth Avenue in Gallery 899 The Temptation of St Anthony - Product Martin Schongauer (German, Colmar ca. Language links are at the top of the page across from the title. 1995, as The Temptation of Saint Anthony. Two double-sided shutters (probably made to surround a sculpted central section) from the "Orlier Altarpiece", dated c. 147075, show the Annunciation on the outer faces and a Nativity and Saint Anthony with donor portrait within. The Metropolitan Museum of Art. We will keep fighting for all libraries - stand with us! According to the Life of Saint Anthony written by the 20th bishop of Alexandria Athanasius (c. AD 360), Anthony was assaulted by several demons and tormented by erotic visions during his retreat to the Eastern Desert of Egypt. Martin Schongauer (German, Colmar ca. Hutchison, Jane Campbell, in KL Spangeberg (ed). [48], He went beyond Master E. S. in the system of depicting volume by means of cross-hatching (lines in two directions) which was further developed by Drer, and was the first engraver to curve parallel lines, probably by rotating the plate against a steady burin. [60] A Nativity in Berlin is attributed to him. The Art Institute owns a remarkable collection of prints by Schongauer. [36], The great majority of his subjects are religious, but there are a handful of comic scenes of ordinary life such as the early Peasant Family Going to Market or the Two Apprentices Fighting, which may reflect his background in a goldsmith's house. Temptation of Saint Anthony in visual arts - Wikipedia Temptation of St Anthony by Martin Schongauer - Art Renewal Center [6][7][8] is a copy of the engraving currently in the collection of the Kimbell Art Museum. The heavily worked foreground is balanced by progressively more isolated lines in the background, showing his control of light. Martin Schongauer (ca. ca. Schongauers engraving illustrates an episode in the life of Saint Anthony, which was first discussed by Saint Athanasius of Alexandria. Martin Schongauer (c. 145053, Colmar 2 February 1491, Breisach), also known as Martin Schn ("Martin beautiful") or Hbsch Martin ("pretty Martin") by his contemporaries,[2][3] was an Alsatian engraver and painter. Indeed, copies of his compositions by other printmakerssuch as Israhel van Meckenem, who reproduced 58 of his prints, and the Netherlandish Master F.V.B., who made a reversed copy of an ornamental design by Schongauerare eloquent indications of Schongauers influence and fame. Clarence Buckingham Collection. Nine whimsical monsterscomposed of reptilian, mammalian, and fish- and bird-like partsflap, blow, and grasp a stiff and indifferent Saint Anthony. Born: ca.1445-1450 | Died: February 2, 1491 Biography Considered the greatest engraver preceding Albrecht Drer, Martin Schongauer (1445/1450-1491) was also the first identifiable maker of fine prints. Temptation of St Anthony is a drawing by Martin Schongauer which was uploaded on February 21st, 2018. (47 x 34.9 cm) Framed: 27 x 22 3/8 x 2 1/4 in. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 29, 1933-January 3, 1934). Martin Schongauer 2065 Reviews Get a hand-painted museum-quality Reproduction of "Temptation of St Anthony" by Martin Schongauer. The trees are a, Shestack, biography, #34, 35, 36, 37; Hutchison, 6, For example, Shestack, #s 6873, copied on the, Snyder, 285; Shestack, 87; Bartrum, 8 on prodigy prints, Shestack, biography, # 106109; Snyder, 285, Shestack, biography (quoted); Snyder, 285, Hutchison, 67; Shestack, # 37, 40, 41; Bartrum, 21; Snyder, 282284, respectively, Shestack, #s 98100 and #101104, "Der hbsche Martin Martin Schongauer", https://en.wikipedia.org/w/index.php?title=Martin_Schongauer&oldid=1148956735. Read the additional visitor guidelines. All images and data available through Open Access can be downloaded for free. A pioneer in the art of engraving, Martin Schongauer employs a wide range of inventive burin marksincised on the plate with the engravers toolto animate the composition and articulate the bizarre creatures combination of scales, spines, fur, feathers, talons, and teeth. on the Internet. He is thought to have begun signing engravings in the early 1470s. The Reproduction will be hand-painted by one of our talented artists. The New York Public Library is a 501(c)(3) | EIN 13-1887440, Polonsky Exhibition of The New York Public Library's Treasures, The Miriam and Ira D. Wallach Division of Art, Prints and Photographs, Print Co. contact the Ingalls Library Reference Desk, request a digital file from Image Services, This image is in the public domain. . Medium: engraving on laid paper . Undefined beings stood in his way preventing him from ascending and "as his guides offered resistance, the others demanded on what plea he was not accountable to them. [1] Anasthasius describes another episode where the saint was attacked on the ground. [28], The following year Drer, on his wanderjahre, travelled to Colmar to meet him, only to find he had died. sheet: 11 13/16 x 8 9/16 in. Among these is the. Visiting Karl Lagerfeld: A Line of Beauty or Van Goghs Cypresses? Drer was an admirer who collected his drawings and no doubt prints. You can copy, modify, and distribute this work, even for commercial purposes, all without asking permission. On loan to The Met The Met accepts temporary loans of art both for short-term exhibitions and for long-term display in its galleries.. Leipzig, 1876, cat. 1505) and Matthias Grnewald (15121516). [Temptation of St. Anthony] / MS. Contributor Names Schongauer, Martin, active 15th century, artist Created / Published [between 1450 and 1491] Subject Headings - Anthony,--of Egypt, Saint,--approximately 250-355 or 356 - Demons--1450-1500 Format Headings Engravings--1450-1500. Some scholars argue the image instead depicts chapter nine of Athanasius's Life of St. Anthony. Although this is one of Schongauer's earliest prints, it was probably his most influential: Vasari recounted that even Michelangelo made a color drawing of the work at the age of thirteen. 4 (Spring, 1997), Art = Discovering Infinite Connections in Art History, The Baptism of Christ from a set of The Passion. His realistic description of their scales and fur point to his direct observation of animals, yet he compiled these naturalistic details to produce some of the most fantastic and grotesque fabrications in the history of printmaking. A friend found him and helped him recover and once St. Anthony had regained consciousness he asked to be sent back to fight these demons who took the shape of animals and beasts. Some scholars believe the scene depicts chapter 65 of Athanasius's Life of St. Anthony, their primary argument being that the attack takes place in the air which parallels with St. Anthony's description of ecstasy in this chapter. Media in category "Saint Anthony Tormented by Demons (Martin Schongauer)" . This catalogue includes high-resolution imaging that allows readers to zoom in to see the artists marks in detail, as well as interactive components that show how Ensor overlapped various sheets. [49] He also developed a burin technique producing deeper lines on the plate, which meant that more impressions could be taken before the plate became worn. Schongauer is the first German painter to be a significant engraver, although he seems to have had the family background and training in goldsmithing which was usual for early engravers.[4]. In his first ten prints his monogram is characterized by the M having vertical shanks, as opposed to the oblique shanks which appear in the rest of his prints after. The Temptation of St. Anthony The Temptation of St. Anthony | Cleveland Museum of Art The Temptation of St. Anthony, c.1470 - c.1479 - Martin Schongauer Artiste Martin Schongauer (Colmar, around 1445 - Breisach, 1491) Anne Between 1470 and 1475 Dimensions H. 31,2 cm ; l. 23 cm Statut Bought with the support of Regional Acquisition Fund for Museums (tat / Conseil rgional d'Alsace), 1993 Engraving printed in black ink on laid paper, Signed, in plate, lower center: [artist's monogram], May 1885, (F. Keppel & Co., New York, New York, USA). https://api.artic.edu/api/v1/artworks/84751/manifest.json. The creatures' brutal nature is evident in their brawny and muscular limbs, sinewy and feathery wings, horns, tails, spines and scales, claws and hooves, and various short, stunted, pointed, and warty snouts. 'Influencia de Martin Schongauer en los primitivos aragoneses', This page was last edited on 9 April 2023, at 08:15. [52] The demons in his The Temptation of St Anthony established the hybrids of fish, bird and insect types followed by Hieronymus Bosch and other artists throughout the next century. The S in his earlier works is much thicker around the curves and finishes in diagonal strokes similar to roman capitals. Anthony's temptation is first discussed by Athanasius of Alexandria, Anthony's contemporary, and from then became a popular theme in Western culture. Scroll left to view more. To create texture, Schongauer used a great variety of strokesfrom the long, sinuous lines that create the beard of the . There are some fine drawings, including ones dated and signed with his monogram, and a surviving few paintings in oil and fresco. Be the first one to, clevelandart-1923.227-the-temptation-of-st, Advanced embedding details, examples, and help, Terms of Service (last updated 12/31/2014). [43], There are a number of series of engravings which show this development, from the twelve "crowded and turbulent" scenes in the Passion series, perhaps of about 1480,[44] through the Twelve Apostles,[45] and the circular coats of arms with wild men,[46] to the late circular Evangelist's symbols and the Wise and Foolish Virgins, perhaps of around 1490. Inaugural Exhibition of the New Print Gallery - Prints from the Museum Collection.
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